^ Run the Jewels "Close Your Eyes (And Count to Fuck)" (video) (ft.^ Premiere: Hear The Furious Collaboration Between Run The Jewels And Rage Against The Machine's Zack De La Rocha, by Reggie Ugwu, at BuzzFeed published Octoretrieved June 4, 2020.^ Run The Jewels and Zack De La Rocha reveal ‘Close Your Eyes (And Count to Fuck)’ video – watch, by Luke Morgan Britton, at NME published Maretrieved June 4, 2020.The Pittsburgh Post-Gazette noted that it is "arguably ' most popular song" similarly, The Daily Reveille declared it to be "(a)rguably the best song on (the album)", lauding de la Rocha's contributions to the song - in particular the "arresting hook at the beginning". Stereogum called it "hammering (and) buzzing" and "just a ridiculous banger (.) that you obviously need to hear this minute", and compared its hook - de la Rocha's voice "chopped up" - to the work of Swiss Beatz. Reception įact described the song as "breathless" and "pneumatic", while Vibe found it to be "highly energetic". Rolling Stone noted that at no point in the fight does either combatant reach for the officer's gun, while Spin stated that it was "immensely raw, nuanced, and powerful", and emphasized that, throughout the fight, "(n)either really gains an edge over the other one, and it's unclear why, exactly, they were fighting in the first place." The Riverfront Times (which considered the song to be "incendiary") interpreted the video's concluding scene - the two men fight their way into a house, up a flight of stairs, and into a bedroom, where they collapse on the same bed - to mean that "both men will rest and awaken tomorrow to begin the battle anew". The music video (directed by AG Rojas), which Exclaim! called "fiery", portrays an extended wrestling match between an exhausted white police officer ( Shea Whigham) and an equally-exhausted black civilian ( LaKeith Stanfield). He came by and listened to what we had and a day later was recording with us." Music video working on the record I bumped in to him literally on the way to the studio. That we resonate with what we know to be right and we don’t numb ourselves out so those feelings can simply be swept away, we must confront them and take some action, however small, or we’ll be stuck in the same cycle of violence and hate.El-P explained de la Rocha's participation in the song as the result of a chance encounter: "when I was in L.A. But I believe that it is important that the way we feel when we see these events in real life has an effect on us. It is tough to re-create moments that are so fresh and prevalent in our world today. I can tell you it was an emotional shoot day. They breathed complex life into two people who are usually portrayed in simplistic ways – as archetypes. I am really proud of where we ended up, and I am very thankful that our actors Shea Whigham and Keith Stanfield committed to these characters 100%. Our goal was to highlight the futility of the violence, not celebrate it. They’ve already fought their ways past their judgements and learned hatred toward one another. The film begins and it feels like they have been fighting for days, they’re exhausted, not a single punch is thrown, their violence is communicated through clumsy, raw emotion. They’re people – complex, real people and, as such, the power had to shift between them at certain points throughout the story. For me, it was important to write a story that didn’t paint a simplistic portrait of the characters of the Cop and Kid. It’s provocative, and we all knew this, so we were tasked with making something that expressed the intensity of senseless violence without eclipsing our humanity. We had to exploit the lyrics and aggression and emotion of the track, and translate that into a film that would ignite a valuable and productive conversation about racially motivated violence in this country. I felt a sense of responsibility to do just that. When Run The Jewels sent me this track, I knew we had the opportunity to create a film that means something.
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